With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
中规中矩喜剧。我一个想成为首富的男人，没想到成为了首富的男人～哈哈哈哈哈哈哈哈哈
略有剧透，慎重。一开始以为会是狗血烂剧，但没想到竟然还可以。原班人马真的原汁原味，真的是是赘婿番外篇，老耿和最后的羽绒服，宁毅，赘婿第二季的预告，真的是良心番外。
本以为是蹭剧的热度，没想到真香。就喜欢吉吉国王这种废柴般的幽默～
驱神蛮有创意的，居然敢玩耶稣和玛丽亚你等好有野心。
俗套的爽剧，还是炒电视剧那些陈旧梗，看着浪费时间。
三星还是少了，就最后那几段，给个四星也还不错吧。
剧情轻松有趣，演员可爱，当轻喜剧还是不错的
从《庆余年》到《赘婿》再到这部番外，男主实力越来越弱，“爽剧”越来越“不爽”
比想象中的好看，剧本故事还是延续了电视剧的风格，原汁原味，还引用了经典片段，可以说是用心了。演员虽然不大咖，但演技不尬，个人觉得算是高标准的网络大电影了。
算是剧版的番外？赘婿IP还是顶的，爽剧爽就完事儿了（吉吉国王真的长在我笑点上了哈哈哈哈哈哈）
网剧衍生的小品电影，苏文兴父子在《赘婿》里还是很有观众缘的，搞笑担当，但其他人物拍这种小传可能就撑不起来。排除网剧亲切感的加成，本片完成度也还好
什么玩意儿啊，无厘头也不能这样搞，朱自清的橘子梗都来了……
网剧衍生的小品电影，苏文兴父子在《赘婿》里还是很有观众缘的，搞笑担当，但其他人物拍这种小传可能就撑不起来。排除网剧亲切感的加成，本片完成度也还好
承袭了电视剧的高质量，吉吉国王在这里越来越可爱了，电视剧里的搞笑角色做主演更加丰富啦，这次还有“吉吉皇后”，是在七夕节来临之际给粉丝的礼物！
吉吉国王挑大梁的神经喜剧！可能情动除了双向奔赴之外更需要互相激发彼此的潜能，苏文兴哪里就一无是处了，这又是溜索又是修房顶可可爱爱的！
哈哈哈哈 番外 乌家大少爷不是被宁毅用枪打死了吗 怎么又活了。哈哈哈哈哈
情节还是比较紧凑，化妆师水平不错。驱魔的场景有有一定吸引力。
吉吉国王是从搞笑转型励志了吗？职场线没想到还挺燃，真的还挺爽的，看得时候也不需要动多大脑筋。
趁着电视剧热播，赶紧上了个番外电影版。反正还是现代的网络词跟古代背景相冲撞的喜剧效果，傻傻的，挺可爱。
竟然有大电影，挺下饭的，就是下饭电影。家有兄长，传道授业解惑再就业的故事。
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