Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
拍的过于立场化了，不喜，估计南非的观众口味决定的吧。
自由的代价是什么?
拥护信仰没有对错，但如果是存在对不同信仰的排他性，而在追求信仰的过程中滥杀无辜，就是罪恶的。
自由的代价，是一切。 RIP Silverton Trio
很难给人一个高潮的支点，整个故事显得有点清汤寡水。
作为好人的恐怖分子，遭遇背叛、不公、歧视，白人和黑人的差异，个体背后的苦衷，种族，情绪，外表和内心，各类主义，远超想象的自由代价
南非的题材令人耳目一新，殖民地的风格和之前布尔战争都是很有意思。AK47主要都在非洲千锤百炼了
结尾出现了，根据真实事件改编，所以司法部长的女儿真的被射杀了？
南非真实历史值得了解，但是这个拍的就是有点老套了。
南非也可以拍出这么有格调的电影，一切为了自由！
2022.07.22 星期五 天气晴
＃美国电影 ＃动作片 ＃犯罪 ＃种族 ＃人性
“自由的代价是什么?”
释放曼德拉是男主灵机一动，绝境之中的提议，彰显了历史的随机偶然性。
为了体现国家机器的愚蠢无能，导演让突击队发动了自杀冲锋。为了展现白左的伟光正，导演杀了司法部长的女儿。
自由的代价，，很高！！为了自由！！保持坚强！！
花和人都会遇到各种各样的不幸，但是生命的长河是无止境的。
后来过了很久是被纯爱的海报欺骗下载了来看
自由的代价 牺牲。牺牲自己唤醒自由
好好活下去的唯一办法，
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