After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
诡怪凶猛的话痨疯婊之夜，吐一手唾沫一巴掌扇过去才是绝佳清醒解药，比同类型《致命录像带》有趣。唱完（骂）片尾名单真不赖！
片子不烂，但是你要熬过疯子女主前面10分钟的戏份，后面高能一波接一波，想象力，血腥度都还可以，又好笑又吓人，
可以再垃圾一点吗…… 😓第一次看恐怖片看到无语
方盒子怪物居然可以被女主利用来干掉房东，这怪物当的太悲催了
看了全片 这么好的怪物设定居然没有展开而且献祭之后看起来只有治愈效果有点鸡肋啊
又乱又臭（各种意义上），就冲女主到朋友家、到餐馆里发疯就足够她死一万次了
拍得很克制，给恐怖片带来一丝写实感，是我喜欢的风格
节奏慢到中途离开n次都能接上……逻辑也不太通……怪物的造型到还行
无特别新意的画面，莫名其妙的剧情，只记得女主角有多烦
快进了几个镜头，弃了……如果这都是艺术，我宁愿当个野蛮人
什么玩意儿啊拍的这是，女主坏人一窝蜂似的，不对，一窝扑啦蛾子似的低级反智，这玩意儿带传染的吗，怎么把大魔王也给搞成乖乖听话的宠物喂养模式了？
毫无逻辑，没有剧情，纯属为了恶搞而恶搞，傻逼女主真tm让人无语，之所以开车直播可能是因为她一下车就得死人，镜头晃得让人恶心
除了怪物的造型很棒，其他完全不值一提，剧情拖沓，结局莫名结束
品质非常不错，奇幻+恐怖，悲观主义的结局。祭品并无反抗余地。
快进了几个镜头，弃了……如果这都是艺术，我宁愿当个野蛮人
好惊艳啊，尺度也大，10多分钟后一路刺激到结尾。女主绝对是个狠人，片尾rap再加一星！
想法类似《异国阴宅》，将一种少数族裔移民的恐惧与焦虑具象化。长时间的铺垫尽管略显冗长，恐怖桥段也比较依赖一惊一乍，但整体氛围还算到位，并且最后的怪物造型设计颇为亮眼。No One Gets Out Alive，离开的人必须在内心“死掉”一部分，才能完成离开，所以才有了“精神弑母”的解脱方式（对过去的执念/归属感/身份认同的割舍）。而半开放结局留给观众的不只是有关角色命运走向的悬念，也是对底层移民残酷性一面的思考。
#2021TIFF午夜单元观众选择奖第三名
妹讲清楚 里面的怪物设计的倒是很优秀 有没有什么电影可以传承一下？
网费就是做怪物做的那么帅 别对恐怖片那么苛刻了豆瓣
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