Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
连蝙蝠的仪式感和配乐都像极了诺兰蝙；漫威蝙蝠侠和DC蝙蝠侠和DC小丑和漫威鸟人在影片结尾相遇(。
贼烂，虽然是暗夜博士，你用不用在黑夜里演动作片还要把光线调的贼暗，你索性关灯放个mp3让大家脑补打斗不就结了么？要么就是残影特效，要么就是黑灯瞎火啥也看不见，看个漫威改编片结果看了个寂寞。
索尼的蜘蛛侠反派系列一如既往的水平，但几个卡司都很不错。
作为起源来说还成吧，类似于金刚狼起源电影的设定，情同手足的兄弟获得差不多的能力，但志向不同走到对立面。
惊悚片让我看得很困，那真的是有一点失败的。
非常无聊的那种烂，开场居然花半个小时时间解释设定和实验？？看睡着了好吗？！整个剧情你知道它会如何发展，全程没有任何兴奋点，莱托是好看，好看成一株水仙，跟兄弟跟情人都没啥火花，有肌肉也不代表有荷尔蒙。最后吐槽一下彩蛋，隔壁MCU想穿越时间线得费老鼻子劲了，到索尼这边随随便便莫名其妙就穿了。水波纹打斗和蝙蝠飞还可以，剩下的就……不要浪费时间了。
《毒液》大賣之後的偷懶之作，一樣正反派同源，一樣沒種拍R級，一樣惡意賣腐，區別只是前者爛而賣座，《莫比亞斯》爛而不賣座。故事幼稚出了喜劇效果，該著筆的部分都沒著筆，該解釋的部分不解釋，擺爛得那麼理直氣壯也是一種本事，理直氣壯地kidding me。最可氣的是，本該是看點的動作戲和驚悚戲，都稀碎，動作戲無聊透頂，甚至談不上有什麼動作設計，就是沒完沒了的殘影、重擊、慢鏡頭，驚悚戲少得可憐，而且還都是是最爛俗老套的橋段。
这是新冠病毒侠吧，把新冠人形化了😂
漫威版“蝙蝠侠”真的太辣鸡了 拍的像粗制滥造的网络大电影
吸血鬼的设定没有充分利用起来，本来可以加入更多的善恶挣扎元素。故事情节很流水化，没有惊喜，部分炫目的打斗场景还是可以值3星
《毒液》大賣之後的偷懶之作，一樣正反派同源，一樣沒種拍R級，一樣惡意賣腐，區別只是前者爛而賣座，《莫比亞斯》爛而不賣座。故事幼稚出了喜劇效果，該著筆的部分都沒著筆，該解釋的部分不解釋，擺爛得那麼理直氣壯也是一種本事，理直氣壯地kidding me。最可氣的是，本該是看點的動作戲和驚悚戲，都稀碎，動作戲無聊透頂，甚至談不上有什麼動作設計，就是沒完沒了的殘影、重擊、慢鏡頭，驚悚戲少得可憐，而且還都是是最爛俗老套的橋段。
剧本老套，基本上没有角色塑造，都是工具人，最后的决斗在一片漆黑中进行，眼睛都快瞎了。
后半好像在看两个魔戒半兽人互殴... 除了一脸严肃的Tyrese记不住点啥
6/10. Así es Batman.
这位导演眼里的超英片大概还停留在18年前《猫女》那种水准吧
5.17 這麼敷衍走流程的反派塑造和无聊的主角个性。但少爺还是这么好看555
难看程度不亚于《暮光之城》，起码人家还能吸引一波恋爱脑粉。
D— / 好于「毒液2」，就算再烂再敷衍去掉漫威油滑喜剧or麦麸套路也清爽很多，但凡吸血鬼的设定再帅or残暴点至少观感会好一点，杀人杀的也太匆忙毫无仪式感。
很差，是那种你很难相信在复联1十年的2022年，索尼蜘蛛宇宙的第二部反英雄作品会拍成这样。电影架构是那种最土的超英类型片（甚至都不是典型的反英雄片）。生命垂危、意外获得能力、能力反噬、同能力的好友背叛、正邪大战。就仿佛淘宝250块买来的本科毕设，五脏俱全却空无一物。没有奇幻片的特效、没有恐怖片的氛围，就平铺直叙。唯一的优点是选角的胜利，莱托少爷演吸血鬼实在是太贴脸了，但同时这也是最无聊的吸血鬼电影。
但是后半个小时属实崩得厉害，感情戏更是鸡肋到爆
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