Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
勇敢忧太，不怕困难！那个时候娜娜米还没再见呀 看到了最后一面。期待忧太宝的新战果 u1s1怨灵菅原道真的后代应该实力也很相当了 里香这一路也见证了他的成长 安息吧。
打斗真好啊 纯爱真好啊 学生时代真好啊 BGM真大声啊
有超帅娜娜明出没！！！
这超燃的剧情，这超强的声优阵容，我实在找不到给4星的理由
尊的客观不了…这可是五条悟啊…导演确实知道观众喜欢看什么还给了娜娜明高光时刻…涉谷之前且行且珍惜🙏
草，刚想说乙骨有一股浓浓的真嗣味儿，结果就看到短评铺天盖地的纯爱战神淀真嗣xd 耍帅大合集吧只能说…
Watched with Ursin and later we went to docklands to have a tour in our new apartment. I like animation so creative
电影的话，MAPPA还是立大功的
超出预期的好看！意外买了一张4D的票，凳子随着打斗和音乐一起震，简直燃爆了！！还能爱绪方姐姐100年！！！
我们可是纯！爱！战！神！还以为里香会送优太他讨厌的人的手指结果竟然真的是戒指 未免太阳间了点！禅院学姐从开始到未来一直带小孩好辛苦 看到狗卷前辈我脑海已经开始自动播放“宝娟 我的嗓子”（大雾）
虽然但是...里香成佛了，但是之后正片又出场了，怎么解释？
解锁新电影院Neufahrn 五条颜粉真的好多 知道为什么叫纯爱战神了
很保守的动画化。
果然还是滤镜太重……猪野宝贝一口一个七海桑快给我听心梗了……
作者看世界的方式很奇特，但我不认为犹太和里香的关系可以称之为爱，这点夏油说的不无道理
你诅咒了里香，而不是里香诅咒了你，爱也是诅咒
英语字幕：”It’s pure love” 出来我和朋友直接笑扭了腰
据说最后五夏那一段的bgm叫This is pure love（。你哪是大义啊你明明也是纯爱（。
白色五条さとる桑真的帅出新高度！爱死了
我看的剧场版确实是剧场版，别人估计拿着手机在电影院拍的，中文字幕一开始有，后面都没有了…拿了一小时后估计手酸了，整个屏幕都看不到了，息整片刻，又能看到画面了…我也是坚持着看完了。
Copyright © 2015-2023 All Rights Reserved
