Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.
Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)
As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.
The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).
Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
就还行吧，给小盆友的低幼向超英，Elba大叔配音反派红色那只，金凯利继续演上一部的博士，据说他也快要退休了……
外星动物超级英雄联盟，继续上一部的低幼与欢乐，一开头就预知到结局了。╮(╯▽╰)╭
荒謬不經的情況下有真誠地令我享受的時刻 ||"stairs"
一旦习惯了忽视爆米花电影的槽点，每一分钟都可以是纯粹的享受。
特效升级了，比较搞笑，闪电侠vs逆闪电，再vs万磁王，最后超级索尼克vs反浩克机甲
紫霞真美，最后被打动了，回忆起了看大话西游时的感动（看了太多遍以至于已经感受不到了）
机器人挺有喜感，但是剧情很老套就是那种一开始我就知道结局的那种……
出场角色太多显得剧情有点乱，不过作为合家欢电影还是合格的，最后还有个超级赛亚索。
- 1.《一生所爱》一起来 我就哭了 那个土墙一出来 我也哭了 2.打斗太烂了 3.故事的因果性我没明白
金凯瑞的演技依旧是亮点，但是也把动画感又往上提升了许多。
女主选的不错，故事勉强能看，做为达叔谢幕作给了不少镜头，好感度加两星
《X战警》《环太平洋》《复仇者联盟》《彼得兔》
一般吧，惊奇队长大战反浩克装甲……要是没兴趣的话……就看看最后的一段动画片尾，大概故事就都知道了，顺便连彩蛋都看了😂😂😂😂
6分+，说得过去。加一星给达叔和尊重人设的导演。
在B站看到推荐视频，对大话西游系列没有情怀，但有点无聊就去看了。
开开心心、没心没肺，相比第一部是全面升级，非常称职的合家欢娱乐片，很可惜派拉蒙放弃了大陆的上映。
昨夜[视][20.7.24想看]合家欢，票房延续前作大爆，三部曲预订，游改题材新里程碑。电影工业，即使非主旋律题材，也有军事装备秀。话唠片，三肤色，红黄蓝，俄罗斯，古墓神庙，小鬼当家，雪崩速降，地理穿越，黑人幽默，巨大体决战，一些影视流行元素
这电影质量不高，但是挺好看的，金凯瑞的蛋蛋博士也太有魅力了。
紫霞还挺招人喜欢的，整体有点尬，但还可以忍受，近期看了太多一星烂片，给个及格吧，吴昊宸继续努力。
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