A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
男帅女美 宗教改变的十足狗血故事 呃呃……打发时间看了都糟心属于是
感觉才看2020版没多久，2021版就出来了。最喜欢Philomena Cunk的吐槽。
回看2020，也是未来十年最好的一年。马特达蒙干啥了？为什么要内涵封杀他？
确实我们每一天都在见证历史 已经开始期待2022版本了 只是希望这版里它可以加上asian hate
期待2022，2022年比2021年精彩太多了
我觉得男主再这样发展下去就是典型的“代理型孟乔森综合症”
一开始，我看别人剪辑的片段，里面没有宗教场景，但是，其中看到了不同；这里面诉说了人要坏起来，坏的不可想象。大部分人都活在一个相对美好的状态，所以，没有办法理解里面场景在说什么。
糟心的一年，也许比2020年还要糟心，世界已经开始了去死的节奏！当然包括我们
期待2022，2022年比2021年精彩太多了
Hahahaha還是好多處被笑到，這個系列可以一直拍下去
中规中矩的按照小说的结构顺序拍了下来，但是真的很一般，很多人物细节心理活动都没描写出来，远没有小说给我的触动大，果然文字的魅力是影像拍不出来的。乌鸦为什么像写字台？因为我爱你也没有任何理由。以及，不要激动爱情，等他自发。
没有去年那一部好 但作为今年最后标记的电影 也是挺不错的圆满了
Never look back, Never look forward.
一颗破碎的心，唯有无条件的爱和接纳才能修复；在遇到何西阿之前，因为童年的经历以及不断的被伤害导致安琪儿已经对生活绝望和麻木，对人也无法信任；刚开始何西阿的出现并没有让她觉得有盼望，何西阿一次又一次来，安琪儿的生命中才出现了一点亮光，重新恢复了一丝盼望，想要尝试改变一下活法；
好看！！看哭了，女主太可怜了。幸好遇到个好男人！
有的人用自己的灵魂换取从沙子里淘来的金子 但有些人却将灵魂看的比一切都宝贵 唯有爱可以拯救一切 可以看到1英里比20英里走的更艰难 人生短促 爱你所爱 爱胜过一切艰难和阻隔 当我们都离去的时候 可以肯定的是 所有眼睛能看得到的 没有一样能带的走 但却唯有灵魂和爱常在…… 勾起了退休后到乡村务农的冲动……😂
没想到还会有续集，荒诞的日子继续下去这得变成超长年更剧
跟何西阿之后三次出走，但是完全不一样的性质；第一次是因为对“宫殿”那种稳定生活的留恋和对新生活的不确定；第二次，当她开始接受新的生活，生命中开始恢复就像旧的伤口开始愈合还很脆弱，保罗的出现刺激到她的伤口，让她又回到不被人尊重的感觉，甚至觉得有点不配；第三次已经有了爱的能力，觉得自己不能给何西阿生个孩子，同时觉得米莉亚姆年轻充满活力应该比自己更配得上何西阿所以才离家出走，是为了成全；直到最后完全被医治可以坦然的爱与被爱！
I hear you whisper underneath your breath
This is the way he loves us.
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