With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
牛逼疯了！这是迪士尼近几年除了Soul以外最好的电影了！我又要狠狠拷打垃圾玩家一号，这他妈才叫情书！
各种角色都是小时候看的了忘得差不多啦…
主流动画街地下世界芝士鸦片馆和布偶黑拳；恐怖谷3D怪奇黑暗建模下城区下水道玩具脱逃；漫展骷髅王提醒希曼穿太少受凉，Aunt-Man师奶侠，可乐熊扑倒万兽王；T-1000橡皮泥黑警液态侵入铁框过头急冻玻璃心好评；晕厥时头上冒的飞鸟亦是打工人深夜加班不易；如果罗宾威廉斯还在的话，老彼得潘应该是他配音吧 :( 我也要看古惑飞天徳！！！…… Lonely Island 团队拍出了我等八零后动画死宅们的童年，《松鼠大作战》也是个人当年最爱的红白机双打游戏之一
哈哈哈哈梗太多了，你们买这么多版权就是为了玩梗吗？
有版权真的就可以随便发疯诶哈哈哈哈哈哈哈哈哈哈哈哈啊哈
迪士尼反盗版宣传片，顺便展示一下手握大把ip的财大气粗。
但是整个世界观确实很有意思，很多细节也确实会让人会心一笑。
迪士尼：我盗版我自己，让盗版无路可走。片子里的烂梗和出现的迪家版权人物一样多【。
迪士尼版头号玩家，这也太欢乐了吧，想看迪士尼所有公主联袂出演一部电影啊。
一个充满了“套娃”的故事！用一种奇特的方式探讨了过气明星、盗版、翻拍，这些非常好莱坞的内容，但并未让人觉得俗套。Chip and Dale是90年代以前的动画，这部reboot电影竟然如此大胆自嘲，可能也只有当邪恶老鼠拥有一切版权时才能做到了…影片中那些假象的2D动画拍摄过程太可爱了～
各种欧美经典动画ip 大乱炖，只可惜对国内观众来说大部分不太熟悉
画质更好了 可是形象反而没有老片子里生动了
迪士尼来了一场财大气粗的大杂烩炫耀自己手下有多少IP，但剧情太老套了
打一棍子的小黄鸟都有专属演员，果然只有小角色没有小演员，这才是好莱坞动画精神，哈哈哈哈哈哈。
木兰妮配喜剧吐槽役棒读也太重了，三表哥配装傻没得说，片子就像boss彼得潘一样是个巨型缝合怪
作为一名普通的90后中国观众，电影中出现的这些动漫卡通人物熟悉的并不是很多，奇奇与蒂蒂更是完全没有看过，情怀实在有限
希望我的纸片人在二次元永远快乐。
#和女儿一起看# 剧情烂但彩蛋多到你眼花缭乱，漫展摊位出现希曼和骷髅王的时候连队友都放下了手机。想知道反盗版王者米奇是如何搞定这么多IP的版权的！
彩蛋多，在动画片里对友商开键，同时又“正面”引出盗版开键。确实得佩服米帝国主义的“审核”与创作者“胆量”
三星半，四星给国产电影鼓励一下！剧本很有趣，表演都很棒，虽然有的地方比较扯，节奏有点奇怪，但是还是很值得看的！
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